{"id":167,"date":"2011-02-06T15:12:59","date_gmt":"2011-02-06T14:12:59","guid":{"rendered":"http:\/\/njeremic.de\/teresa\/?page_id=167"},"modified":"2026-03-30T13:26:36","modified_gmt":"2026-03-30T11:26:36","slug":"polytonia","status":"publish","type":"page","link":"https:\/\/teresa-isabella.de\/?page_id=167","title":{"rendered":"Polytonia"},"content":{"rendered":"\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\">&nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-left\">Concept &amp; performance: Teresa Isabella Mayer<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Sound: Nikola Jeremic<\/h3>\n\n\n\n<p class=\"has-text-align-left\"><span style=\"color: #000000;\">performed at<\/span>: Kosmostheater\/Vienna (2005); Dock11\/Berlin (2006); Ada-Studio\/Berlin (2007); Swanday-festival\/Berlin (2008) &amp; Experyment-festival\/Poland (2009)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"362\" src=\"https:\/\/teresa-isabella.de\/wp-content\/uploads\/2011\/02\/Polytonia-web11.jpg\" alt=\"\" class=\"wp-image-516\"\/><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<p><span style=\"background-color: #ffffff;\" title=\"Ein Bilderzyklus in mehreren Bildern, ein Hin- und Herschwingen zwischen den Polen Ruhe und Bewegung, zwischen Entspannung und Ekstase.\">&#8220;A cycle of images, a back and forth between the poles of rest and movement, relaxation and ecstasy. <\/span><span style=\"background-color: #ffffff;\" title=\"So wie im Schlaf der \u00e4usserlich ganz beruhigte, gar gel\u00e4hmte K\u00f6rper im Gegensatz steht zu der in der Imagination des Traumes gelebten Spannung und Aufregung, so stehen die Bilder in Polytonia sich scheinbar gegen\u00fcber, und sind doch untrennbare Teile eines gro\u00dfen Ganzen, das man n\u00e4chtlich erlebt\">Just as in the sleep the externally becalmed, even paralyzed body is opposed to the tension and excitement of dreams, <\/span>so do the images in &#8220;Polytonia&#8221; and still they are inseparable parts of a greater unit, which can be experienced in the night but never be completely understood<span style=\"background-color: #ffffff;\" title=\", und doch nie genau verstehen lernt.\">. <\/span>The body works here as a transformer of this experience, makes us see what stays usually hidden, because we loose ourselves each night again. As we are able to observe the body moved by the experience of sleep, we experience at the same time a feedback on our own body in a form as we know it from diving into the depths of&nbsp; our unconsciousness which we strip off every morning, when we wake up and abruptly realize where we come from, just as suddenly we would remember pieces of a dream we had forgotten yet.<span style=\"background-color: #ffffff;\" title=\"Bewu\u00dftsein, ganz so als ob wir uns pl\u00f6tzlich wieder an den Fetzen eines Traums erinnern w\u00fcrden, den wir schon vergessen hatten.\u201d\">&#8221; (Christian Mayer)<\/span><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">&nbsp;<\/p>\n\n\n\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/vFPdlZ0VhtA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Concept &amp; performance: Teresa Isabella Mayer Sound: Nikola Jeremic performed at: Kosmostheater\/Vienna (2005); Dock11\/Berlin (2006); Ada-Studio\/Berlin (2007); Swanday-festival\/Berlin (2008) &amp; Experyment-festival\/Poland (2009) &#8220;A cycle of images, a back and forth between the poles of rest and movement, relaxation and ecstasy. Just as in the sleep the externally becalmed, even paralyzed body is opposed to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":5,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=167"}],"version-history":[{"count":115,"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/pages\/167\/revisions"}],"predecessor-version":[{"id":2380,"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/pages\/167\/revisions\/2380"}],"up":[{"embeddable":true,"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/teresa-isabella.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}